This takes it's form in childbirth, an experience which is unique to the collective female.
It is not just having a child, but the central question it creates in women's lives; whether or not to have children, when, etcetera.
Even though the question is always looming, there are not many songs about this female experience in popular music; female stars are seen as being free and independent, in a state of romantic androgyny; never--suspended in a sort of potential.
The author outlines that this absence of voice can be traced to the change of the song being an art form of expression to a commodity within the music marketplace.
Greig argues that we are finally seeing a response by women songwriters, seeing a voice in which it is easier for women to talk about childbearing and motherhood.
Greig talks about Joni Mitchell, her influence as a female singer/songwriter and her, albeit narcissistic, conversation of the female experience, her music connected her to the shared collective female experience.
The following is a short clip from the film Love Actually
http://www.anyclip.com/movies/love-actually/getting-a-joni-mitchel-cd/
{there are two clips and the second will load automatically after the first; please watch both}
In her song Countdown, strong female pop persona Beyonce {who at the release of the music video was known by the public to be pregnant} briefly touches on trying to have a baby:
My baby is a 10
We dressing to the 9
He pick me up we 8
Make me feel so lucky 7
He kiss me in his 6
We be making love at 5
Still the one I do this 4
I'm tryna make us 3
From that 2
He's still the 1
In Cyndi Lauper's song Sally's Pigeons, she sings of the loss of a friend to a botched abortion
Queries
1. Childbearing is definitely a female experience, but isn't childrearing also a part of the male experience? Don't men also feel anxiety/excitement over the central question of having children?
From the other side of the spectrum? Kenny Chesney's There Goes My Life
No comments:
Post a Comment